The hot new music just keeps on rolling in, and we’ve got a lot of it tonight, as well as festival previews, reflections, and even yet another version of a song we HATE!
playlist
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The hot new music just keeps on rolling in, and we’ve got a lot of it tonight, as well as festival previews, reflections, and even yet another version of a song we HATE!
playlist
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The Steel Belted crew (and our respective better halves) took the journey down to Fargo to see Brandi Carlile at the Fargo Theatre. I had the great pleasure of seeing (and interviewing) Brandi at the Edmonton Folk Festival last year, so I knew that she’s great live. Last year, however, she was working with a couple less players (they were minus a drummer and a violinist) and it was a shorter set and at a decidedly different venue. This trip had the potential to be a bit of a downer, because sometimes shows aren’t as great the second time around, and because we had to drive 4 hours there and 4 hours back to see the show.
Luckily, it was well worth the trip. Brandi sounded even more powerful and confident than a year ago, perhaps owing to experience or the more intimate, comfortable venue. Whatever the case, the somewhat rowdy but wholly appreciative crowd, and perhaps the fact that Brandi had plenty of family in the audience made for a really fun, interactive show. She threw in some really cool covers and played a great selection of material, new and old.
Every once in a while, I get inspired to record a show, not because I’m some evil bootlegger looking to make a buck, but because I have a really bad memory, and I like something to remind me of the great shows I’ve seen and heard. My recordings are decidedly low-quality, and not in any way meant to be audiophile recordings, and certainly aren’t meant to take the place of authorized recordings. In fact, I really hope that they inspire you to get out to a show or buy a CD (ok, or a digital download) of your own.
With that in mind, if you want to download this amazing show for yourself, go ahead and enjoy. You don’t need to post it on your site or host it anywhere else, just let other folks know to stop by and visit my site. Don’t ever sell it or do anything bad. Look both ways before you cross the street, too.
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We’re pre-recorded one more time, but we’ve got some stellar material on this episode. This week is our look back at the 32nd Edmonton Folk Music Festival, held last weekend. We’ll tell you about the highlights and surprises, the hits and the misses. Also, we got to do some in-person interviews with the stars, including Lissie, The Secret Sisters, and Deer Tick. We also got our hands on an eagerly awaited, not-yet-released CD, and managed to get a few words from one of the greatest songwriters of all time. Well worth a listen, I’d say.
playlist
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We were thrilled enough when he came to the show on his own last year, but this year, our pal NQ Arbuckle brought the divine Ms. Carolyn Mark along for some songs, stories, and sound effects, and it turned out to be a whole heap o’ fun, as expected.
playlist
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This week we’re pre-recorded yet again, but that only makes us want to put on an even better show, and I think we’ve done it. We’ve got a heaping helping of new music, some unusual covers, and extended previews of upcoming shows featuring Lyle Lovett, Mary Gauthier, Carolyn Mark, and NQ Arbuckle!
playlist
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We’re pre-recorded this week, live from the basement, and that allows Jeremy to stop by with a rockin’ request to start things off, and to sing along. That’s not to be missed. Then, we preview yet another Fred Eaglesmith show, but we’ve been playing him a lot lately, so it’s time to dig out a bunch of great covers of Fred songs, and some of his co-writes. We also look ahead to Mary Gauthier and Carolyn Mark & NQ Arbuckle!
playlist
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Today we look back at our first 400 episodes (or so) by analyzing our latest set of totally unscientific, totally irrelevant, and totally interesting statistics. We look at our most played songs, albums, and artists. There are plenty of surprises and interesting results to consider, so we’ll hear from some of the songs, albums, and artists from the top o’ the pops.
playlist
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I had the opportunity (thanks to Kurtis and Stu) to head down to Bayfield, Wisconsin to see Steve Earle with the Dukes & Duchesses (featuring Allison Moorer and The Mastersons) on July 22, 2011.
I’ve been a Steve Earle superfan for a long time (well, not as long as our old pal Stu, but most of my music-lovin’ life), and I’ve seen him a whole bunch of times, but this was probably my favourite show of all.
First off, the location was pretty cool. I’d heard about this Big Top in Wisconsin before (first when my friends The Wailin’ Jennys played there, and I met up with them the next day), and I’ve watched the impressive lineup of past artists, always wondering whether I’d get the chance to check it out. The concerts are held in a specially constructed circus tent set us a fully functioning concert venue. It’s set on the side of a ski hill, just south of a tiny town called Bayfied, Wisconsin, which is right on the shore of Lake Superior. A more lovely or inviting little town, you will not find.
Also, Steve is once again promoting a stellar new album, “I’ll Never Get Out of this World Alive.” Again, I’ve been a fan for a long time, but his last couple of albums of his material (I try not to dwell on Townes…) have been his best so far.
Once again, he’s got a strong lineup of Dukes backing him up (now including a duo called The Mastersons) and his lovely wife Allison Moorer (who I’m a fan of on her own.)
Whereas once upon a time, the best advice Steve could follow would have been to NEVER GET MARRIED AGAIN (dude’s been married 7 times now; he once joked that instead of ever getting married again, every could of years he was just going to find a woman and buy her a house and give her half of everything he owned, thus saving himself the trouble of actually getting married,) it seems that Steve has finally found his match, proving that there’s probably someone out there for everyone. Although on the surface, it looks like kind of a Beauty and the Beast scenario, it seems as if both are perfectly happy. In fact, it was only a little over a year ago that they had a son together.
Steve used to be about the most ornery guy around, and I was terrified of him in the past. Now, whenever Allison is around, he’s as sweet as can be. He’s even inviting people to come and chat with him after the show. In the past, Steve would only invite people he wanted to beat up to meet him after the show.
He seems to have come to terms with a lot of wrongs in his past and is humble and appreciative. Sure, I still wouldn’t want to get on his bad side, but he’s pretty tolerant, even of the “Play Copperhead Road!) guy, who seems to come to every show.
And he is playing Copperhead (not even reluctantly), as well as a great selection of classics from his catalogue, which fit in nicely with the strong new songs. He’s even letting his band members step up to the mic and showcase – inviting Allison to do a few songs is a no-brainer, but it was refreshing to hear The Mastersons, and what a surprise to hear longtime bass player Kelly Looney do a song of his own!
Every once in a while, I get inspired to record a show, not because I’m some evil bootlegger looking to make a buck, but because I have a really bad memory, and I like something to remind me of the great shows I’ve seen and heard. My recordings are decidedly low-quality, and not in any way meant to be audiophile recordings, and certainly aren’t meant to take the place of authorized recordings. In fact, I really hope that they inspire you to get out to a show or buy a CD (ok, or a digital download) of your own.
With that in mind, if you want to download this amazing show for yourself, go ahead and enjoy. You don’t need to post it on your site or host it anywhere else, just let other folks know to stop by and visit my site. Don’t ever sell it or do anything bad. Look both ways before you cross the street, too.
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I’ve had the great pleasure to see a lot of great shows in my life. Even though I’m an obsessive music nerd with an embarrassing CD collection cluttering up my house, there are surprisingly few artists still remaining on my “must-see” list, whom I haven’t yet. On July 20, I had the opportunity to cross one of those names off my list, when I traveled to see Gillian Welch & David Rawlings in St. Paul, Minnesota, at the Fitzgerald Theater.
The shows and CDs are billed as Gillian Welch, but really, she would likely be a LOT less interesting without her amazing partner David Rawlings. I read that they think of themselves as a two-piece band called “Gillian Welch,” and I totally agree. I can’t really imagine one without the other.
It’s Welch’s voice and lyrics that draw you in, I’m sure, but the powerful guitar playing and tight harmonies provided by Rawlings are absolutely essential. They work well together musically, of course, but they are comfortable and funny talking together, finishing each other’s sentences and adding a lot of colour to whatever the other is doing. They are without a doubt one of the most perfectly matched pairs I’ve ever heard, and I hope that they never really decide to go “solo” and do anything apart.
Welch just released a new record “The Harrow & The Harvest” after an 8-year gap between records. That’s almost inexcusable, especially after only releasing 4 previous discs. Luckily, those discs were so strong that expectations were high for a new one, and there was a hungry audience, eagerly awaiting a new recording.
Reviews are mixed about whether the wait was worth it and whether the new disc stands up, but after seeing many of the new songs performed live, I’m a believer. It’s worth picking up, and worth investing some time getting to know.
And live is where these songs belong, obviously. On disc, they’re not embellished with a lot of extra accompaniment, so you’d think that the live show would be much like what you can get at home, but there’s something so pure and powerful about this duo, that it almost has to be seen to be believed.
Welch and Rawlings are one of the only “true” acoustic acts I’ve ever seen – no amplifiers, no pedals, heck, they don’t even use or need monitors – the stand close together and sing and play in such tight harmony that it’s almost as if they become one. They truly become a group much greater than the sum of its parts, and put on one of the most riveting live shows I’ve ever witnessed (and I’ve witnessed plenty of great ones.)
The show promises to reign long on my list of favourite performances I’ve witnessed, and it has now become the high water mark, by which I will measure future singer/songwriter shows. I know that it will be a long time before I see something so captivating and powerful and memorable again.
Every once in a while, I get inspired to record a show, not because I’m some evil bootlegger looking to make a buck, but because I have a really bad memory, and I like something to remind me of the great shows I’ve seen and heard. My recordings are decidedly low-quality, and not in any way meant to be audiophile recordings, and certainly aren’t meant to take the place of authorized recordings. In fact, I really hope that they inspire you to get out to a show or buy a CD (ok, or a digital download) of your own.
With that in mind, if you want to download this amazing show for yourself, go ahead and enjoy. You don’t need to post it on your site or host it anywhere else, just let other folks know to stop by and visit my site. Don’t ever sell it or do anything bad. Look both ways before you cross the street, too.
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