Category Archives: News

TTBTGH: This week, a busy, exciting show!

Hi again friends,

The days of summer are running out. Sooner than I’d like, it’ll be back to school and busy as can be. Until then, I plan to enjoy myself as much as possible, and I know you’re doing the same, so this week’s Tell the Band to Go Home will tell you about a few fun ways to enjoy what’s left:

I’ve been telling you forever about the next exciting concert at The Sunset Saloon, featuring Christina Martin and Steven Bowers. The guest list is starting to fill up (thank goodness), and I’d hate for you to be left out, so do let me know if you think you might join us this Thursday for two of Canada’s most exciting young singer/songwriters. (I’ll be perfectly honest, when I looked at the very short list of attendees a week ago I was totally stressed and thinking that I wouldn’t ever get myself into this mess again, but we’ve had some good response in the last week, so I’m starting to calm down. Still, a few more would have me feeling even better, so I’d love it if you’d join us. If bringing one of my favourite artists in Canada to my house for her first and only upcoming Winnipeg appearance doesn’t go off well, I’ll leave the stress to the staff at the Studome from now on.) If you missed Christina on CBC’s Q yesterday (thankfully without Jian Ghomeshi), you’ll want to hear this talented young lady and get to know her a little better this week on Tell the Band to Go Home. Christina and Steven will be on the road gradually making their way to Winnipeg (and all points West), but they’re going to find a spot where they can give us a call and check in from the road. Steven Bowers, by the way, is fast becoming one of my faves as well. His latest two discs have been in heavy rotation here at the home office, and I find more and more to love each time. I don’t know a lot about him yet, but this week on the show we’ll change that. You’ll hear a bunch of his tunes and hopefully hear him talk about his music and his life. (Christina and Steven will also be performing live at CD Plus in the Garden City Shopping Centre on Thursday at 1:00 for a free preview of the great concert that evening. I’d love to see some of you out there (even cheapskate Eugene, who will be at CD Plus, but refuses to come to my house concert just because I wouldn’t accept his Guttersnipe press credentials. He’d rather weasel his way into Times to see a band he can see any time. Boo. Don’t be a Eugene!))

Also on tour across this country right now, is another super talented young singer/songwriter named Liam Titcomb. He’s on a very interesting fundraising camper tour raising money for War Child . He’s playing a show at the Forks on Monday at noon with local legend Fred Penner, looking for donations to War Child. We’re hoping he makes it into Winnipeg in time to stop by the show to play us some of his melodic, memorable, wonderful songs and talk about his connection to the charity. This is one well worth checking out.

And, while I’m on the topic of liberating you from your hard earned money… again this year I’ll be participating in the MS Society’s Biking to the Viking fundraiser where I haul my fat butt from Stonewall to Gimli via bicycle. It’s a challenge, but nowhere close to the challenge of living with this frightening disease. Many of you have been kind and generous, to the point where my fundraising total is higher than I ever dreamed. But I’m greedy, and I know it will take a lot to conquer this disease (although it looks more and more possible every year!) so I want to raise more. I’m only $200 away from reaching a total I never dreamed I could reach (A THOUSAND DOLLARS!) and I know that money will make a huge difference. Plus, knowing that I’m the $1000 man (Stu’s been on the air longer, so he can keep his title of $3000 man) would mean a lot to me. If anyone hasn’t made a pledge yet (and I know a couple of you couldn’t when I first asked, but said you might closer to the date), please consider doing so now, or just find out more about this very common, but not widely enough known or understood disease: https://msofs.mssociety.ca/2009Bike/Sponsor.aspx?&PID;=1083191&L;=2

Because of this, I won’t be on air live next Sunday. I’ll have something for you to listen to, don’t fear.

Last year I hosted the MS Radio Auction which had me giving away CDs, DVDs, books, and more in return for pledges. This year, I’m a little lazier. For those who come to my house concert on Thursday, I’ll have a lot of great items up for grabs, including ESSENTIAL CDs from the likes of Shannon Lyon, The Cash Brothers, Ridley Bent, and more, cool DVDs, books, and whatever else my family and I can part with. If you want something, all you need to do is “buy” it with a donation to the MS Bike Tour and you get to take it home with you that night. Easy. So, for those of you attending, please bring a little extra money for a CD from Christina & Steven, and perhaps a small donation to MS. I’ve decided to donate the cost of the food/drinks before hand, so if you wish to donate to that fund, all of it will be donated directly to MS.

Check out:
http://www.christinamartin.net
http://www.sonicbids.com/epk/epk.aspx?epk_id=88635 (Christina’s sonic bids profile with music, bio, information of all kinds)
http://www.stevenbowers.com
http://www.sonicbids.com/epk/epk.aspx?epk_id=83654 (Steven’s sonic bids profile with music, bio, information of all kinds) 

Folk Fest wrapup

Hard to believe, another Winnipeg Folk Fest has come and gone. This was the 36th festival, my 17th, and this year was bigger than ever with an extra day. That extra day, of course, was in honour of the return of the legendary Elvis Costello. Elvis hasn’t been to Winnipeg since 1978. You can forgive me for missing that show; I was only 4 years old, but this one I wasn’t going to miss for anything.

When I was young and first got hooked on music, I had an amazing role model in my life who gave me a copy of This Year’s Model (among other great classics.) The album became a part of the soundtrack of my youth. At the time, I was still largely interested in whatever was current on the radio, so it wasn’t really until Elvis’ blockbuster album Spike that I saw him as a current performer, as well as some old dude I had a cassette of. Spike really showed me that although Costello was from a bygone era, he could also hold his own with current performers as well. That set me off on a path to discover more of his great work, and kept me going on that path still. Costello is one of those rare performers that I was able to love in my foolish youthful pop music/commercial radio phase, and today when I’m a bit more discriminating. Then, I loved the hits and the melodies, now, I love those words and the amazing diversity that he’s been able to continue throughout his career. I’ve continued to buy his albums, even when, to be honest, there haven’t been many classics for years. I admire and respect everything he does.

I was fan enough to want to see him so badly in the 90s that I first travelled to the Edmonton Folk Festival, alone, in 19985 (read a fine review here). It was an amazing journey for many reasons, but also because it was the closest I ever got to a man that I considered a god. I listened to his music on my car cassette player much of the long journey there, and I made sure I had a good vantage point for the show. That one was a solo, acoustic show, so many of the rockin’ hits were absent. It was also somewhat abbreviated by the 11:00 noise curfew that city-based festivals have to abide by.

But this Winnipeg show was bound to be different. First, it was with a band. Elvis recently put out a rootsy, country based album and is touring this summer with an acoustic band that includes Jerry Douglas and Jim Lauderdale. I know they’ve been working in some hits along the way, but it’s a show that’s not really condusive to rocking out to 30+ years of classics. But I have to give Folk Fest AD Chris Frayer some credit for talking Elvis into doing a show with his rockin’ band, The Imposters, (basically his legendary backing band The Attractions with a different bass player), a band that he’s only playing with a few times this year. Also, because we’re out of the city at the folk fest site, there would be no noise curfew and no time constraints. The schedule called for the show to start at 9:05 and end at 11,but we all knew that we could have whatever Elvis was willing to give.

And you never really can predict what that’s going to be. For a guy who’s dabbled with so many genres and gone through so many phases, there are any number of tricks that he can pull out of his hat. I’ve heard bootlegs of many shows throughout the years and they’ve taken many forms. It seems that at this point, rightly so, Elvis basically does what Elvis wants, and nobody could really say what he would want to do in Winnipeg (or on the outskirts of Winnipeg, anyway.)

I had to be there, right up close, so for the first time in my 17 years as a volunteer/attendee of the Folk Festival, I set up my tarp outside the backstage area (with those “normal” people) because there was more space and a more direct view. Definitely one of the best decisions I made all year. We were seated off to the side, in front of the speakers, so I knew it was going to be loud, but I figured that if people stayed seated, we’d be able to see just fine, and if people stood up, we’d be able to still see. When the show started, a couple of folks went forward with cameras to take pictures. I borrowed a nice one from school, so I was eager to get some shots myself, so I joined them, but left Jaine and Elysha on the tarp (along with my belongings, including my digital recorder…). I guess a lot of other people took that cue also, because soon it was a packed standing area. I felt a bit bad about leaving Elysha and Jaine behind, and I was a bit worried about my gear getting trampled on (although the thought never crosses my mind that someone might steal something at Folk Fest, one of the most beautiful things about this gathering), but I knew that nobody would let a tall brick wall like me stand in front of them again, so I had to stay there. Jaine managed to squeeze in, and we had a great vantage point for most of the show.

And what a show it was. As I said, there was some question about whether we’d get mostly new stuff or the classics. I have followed along with the new material and like lots of it, but let’s be honest, we were there to hear the hits. All questions were answered immediately as the band launched into a rockin’ version of Accidents will Happen, followed by Mystery Dance, and the first “lose your mind” moment of the show, I Don’t Want to go to Chelsea. It was one great hit after another, before things slowed down a bit for some more obscure classics, and of course the inevitable new material.

I know that lots of people (Eugene) complained about that middle portion of the show, but if anyone’s earned the right to play some new material and some older stuff that you don’t hear often, it’s this guy. Unlike so many other performers (Bob Dylan), the new material doesn’t doesn’t pale in comparison to the glory days and stick out from what got him the glory in the first place. Sure, the sound and tempo may be different, but it’s quality material that fits right in with the classics, if you ask me. I always appreciate some dynamics anyway, so it doesn’t hurt to slow things down a bit (and I do mean slow things down, the “hits” in the show averaged around 2 1/2 minutes long, while the newer and more obscure stuff stretched out to a whopping 4 minutes some times.) One of the other acts on the bill, the lovely Lovell sisters, joined the band for what I assumed would be a song or two, and ended up being a whole bunch.

The main set ended with a rockin’ version of the classic “Mystery Train,” leaving so many great hits unplayed. I knew there was an inevitable encore (there was still plenty of time left and lots of songs to hear), but I had no idea it would be as long, powerful, or amazing as it was. Watching the Detectives, Alison, Radio Radio, among others. Not to mention an amazing show-ender, What’s So Funny ’bout Peace, Love, and Understanding.

I can’t imagine how anyone could possibly be disappointed with that show, because it had everything you could possibly want.

The one possible disappointment I had placed on the show, was that I was bound and determined to meet the guy who I’ve loved and respected most of my life. I’ve been lucky enough to meet a lot of legends at Folk Fest (Daniel Lanois, Buddy Miller, Emmylou Harris, Randy Newman, Ray Davies, and more), and I wasn’t about to miss any possible opportunity to meet a guy who meant so much more than all of those performers put together. There was a bigger than usual crowd gathered backstage (which I didn’t think was a good sign) and a longer than usual wait, but we weren’t disappointed.

I can’t say much more, but will let the pictures do the talking:

Were you there? Whether you missed out, or want to relive the magic, here are some links to help:

My photos (which really aren’t that good)

Want good photos, check out the ones taken by my pal Mike who is an amazing photographer (you’ll have to find ’em)

Best of all, I did manage to bootleg the show. Again, it’s not exactly top quality, but it’s a great keepsake of probably the greatest show I’ll ever see.

SIRENS OF SONG CONCERT CELEBRATES CANADIAN FEMALE SONGWRITERS

FOR IMMEDIATE RELEASE: July 3, 2009

SIRENS OF SONG CONCERT CELEBRATES CANADIAN FEMALE SONGWRITERS
Lynn Miles, Melanie Doane, Catherine MacLellan and Annabelle Chvostek appear together in a special songwriter circle concert series across western Canada
Juno Award winners Lynn Miles & Melanie Doane, along with the critically acclaimed Catherine MacLellan and Annabelle Chvostek – four of Canada’s most celebrated female songwriters – will be appearing across Western Canada on special concert tour called The Sirens of Song this fall.

Lynn Miles is one of Canada’s most respected songwriters, garnering a Juno Award in 2003 for her CD Unravel, and a Canadian Folk Music Award for the CD Love Sweet Love in 2005. She has toured internationally, and her songs have been covered by many notable artists, most recently by Sarah Slean whose latest album with the Art Of Time Ensemble was named after one of Lynn’s most popular songs, Black Flowers. Lynn is releasing a new double album of acoustic versions of her songs this fall, also entitled Black Flowers vol. 1 & 2.

The product of a musical family, Halifax-born Melanie Doane has ranked four top 40 radio singles, a Juno Award for Best New Artist, a Canadian Radio Award for Most Charted Artist, and performed with the likes of Jann Arden, on Sarah McLachlan’s “Lilith Fair”, and Great Big Sea, in the process earning a Gold sales award for her album Adam’s Rib.

Catherine MacLellan is a songwriter whose music is steeped in the Canadian folk tradition and whose songs are hauntingly intimate and powerful. MacLellan has won six PEI Music Awards and earned multiple East Coast Music award nominations in 2006 and 2007. Her work is a characteristic of the work of many of the singer/songwriters Catherine cites as influences and inspirations – such as Joni Mitchell, Nanci Griffith, and Townes Van Zandt. Catherine was voted “Critics Favorite New Discoveries” in Canadian folk Magazine Penguin Eggs in 2008. Her new album Water in the Ground has received critical acclaim from the international press. She is the daughter of iconic Canadian songwriter Gene MacLellan, writer of the classic “Snowbird” recorded by Anne Murray, and “Put Your Hand In The Hand” recorded by Ocean.

Born and raised in a musical family in Toronto, Annabelle Chvostek is a former member of the wildly popular female folk trio The Wailin’ Jennys, whose most recent album featuring Annabelle is still charting on iTunes in the USA almost two years after its release. Leaving the group last year, Annabelle recently released her much-anticipated solo album, Resilience. Recorded in New York and Montreal with Grammy-nominated Canadian record producer Roma Baran and her producing partner Vivian Stoll, Resilience is a sublime, spare, and profoundly reflective album that Chvostek describes as “a big complicated hug.”

The Sirens of Song will feature acoustic performances, stories behind the songs, and good old-fashioned girl-talk when Lynn Miles, Melanie Doane, Catherine MacLellan and Annabelle Chvostek share the stage in a classic songwriter circle. Tickets are available to the public July 10, 2009 and can be purchased through Ticketmaster.ca or the venue box offices.

Western Tour Dates:

September 11Brandon, MBWestern Manitoba Centennial Auditorium
September 12 Winnipeg, MB Garrick Theatre at the Marlborough
September 13 Regina, SKRegina Performing Arts Centre
September 15 St. Albert, AB Arden Theatre
September 16 Red Deer, AB Central Alberta Theatre
September 17 Calgary, AB Knox United Church
September 18 Lethbridge, AB Yates Memorial Centre
September 19 Cranbrook, BC Key City Theatre
September 21 Kelowna, BC Kelowna Community Theatre

About True North Concerts/Agency:
Legendary Toronto indie label True North Records expanded in 2008 into concert promotion and booking with True North Concerts and True North Agency. The Sirens of Songs tour is the first True North Concert series outside of the Ontario region

Weblinks: http://www.sirensofsong.ca

Today on TTBTGH

This week on TTBTGH: it’s Fathers’ Day, and I’m starting to really like this gig. Some great new music to share courtesy of my wonderful family, as well as some father/family related songs & stories.

And, some memories of one of the GREATEST SHOWS EVER, which went down Thursday night in Fargo. The music nerd caravan congregated to see Kasey Chambers & Shane Nicholson with Bill Chambers and special guest Justin Townes Earle, and it was amazing. Tune in to hear some live music and some memories.

As if that weren’t enough, we’ll have a fathers’ day gift for some lucky dad, when we give away a pair of tickets to see Jill Barber at the Jazz Winnipeg Festival, next weekend!

Should be a great show, tune in at 2 pm central on 101.5 umfm in Winnipeg, or www.umfm.com online around the world!

Kasey & Shane, live in Fargo

Wow, what a show. Kasey Chambers & Shane Nicholson, along with Bill Chambers, live in Fargo, North Dakota, June 18, 2009. Absolutely incredible. Bet you wish you were there. Well, through the magic of bootlegging technology, you can be.

Download the audio of the entire show

or, watch this video clip on youtube:
http://www.youtube.com/watch?v=CcjZ3ossPck

Justin Townes Earle, live in Fargo

Justin Townes Earle, opening for Kasey Chambers & Shane Nicholson, live in Fargo, North Dakota, June 18, 2009.

Download the audio of the entire show.

Or, watch this clip on youtube:
http://www.youtube.com/watch?v=L9Uxis9CxEY

Live Leeroy Stagger

Hopefully you know how great Leeroy Stagger is by now. The good-hearted faithful got an up-close and personal idea just how great he is at The Studome on Saturday June 13, when we saw an amazing, intimate house concert. We’ve known for a long time that Leeroy was bound for greatness, and every indication is that he’s arrived. With the best album of this year, and a top-notch band in tow, Leeroy showed that he’s every bit as good as anyone else, and more. If you missed out, shame on you, but here’s a little taste of what we heard. It’s roughly edited and I missed the first song (my favourite… Red Bandana), but I’m not going to sit on it any longer. Check it out and I guarantee you’ll enjoy. Check it out: http://www.tellthebandtogohome.com/Leeroy.zip.

FredHead road trip?

Fred Eaglesmith will be performing at Shooters in Kenora on June 30th.

In live performance, Eaglesmith brings to mind both Neil Young’s raucous splendor with Crazy Horse and the tender beauty of Young’s acoustic numbers. This summer he embarks on a tour across Canada with his band including annual stops to host his upcoming Roots on the River festival in Vermont (June 11-14) and annual Charity Picnic in Aylmer, Ontario near his home town.

Media outlets have proclaimed his live performances:

“If you’re missing out on Eaglesmith, you’re really missing out: since he left the family farm in his teens and struck out on his troubadour’s path, he’s been prolific and sharp.” (The New Yorker, August 2008)

“Fred Eaglesmith released a self-titled debut album nearly 30 years ago and has won over a strong audience with his country-ish folk rock songs that are sometimes funny, often heartbreaking and always richly detailed. In concerts his between-song banter is worth the price of admission.” (Houston Chronicle, October 2008)

“A prolific singer/songwriter often hailed as a genius at his craft.” (Arizona Daily Star, February 2009)

“His cantankerous, bone-dry humor well tempered weighty stories wrestling hardship with heart. Eaglesmith and his combustible trio fueled new material – particularly the haunted hymnals ‘I Pray Now,’ ‘Fancy God’ and ‘Get on Your Knees’ – with a zealot’s urgency.” (Austin American Statesman, February 2009)

FOR IMMEDIATE RELEASE

FRED EAGLESMITH NOMINATED FOR JUNO AWARD FOR TINDERBOX
Critically Heralded Album Up for Roots & Traditional Album of the Year: Solo

(Los Angeles) Acclaimed and award-winning singer-songwriter Fred Eaglesmith has been nominated for yet another honor in his distinguished nearly-four decade recording career: a Juno Award — the Canadian equivalent of a Grammy — for Roots & Traditional Album of the Year: Solo for his 17th album, Tinderbox. The nomination is Eaglesmith’s third time up for a prestigious Juno, which he won in 1997 in the same category for his album Drive-In Movie.

Tinderbox continues to garner critical praise since it was released in May of last year, and was cited on a number of year-end Top 10 lists. San Jose Metro recently hailed it as “one of the best albums of last year.” And the Santa Barbara News Press just named it as “one of the more intriguing albums of the last year… with its hypnotic array of swampy grooves, obsessive refrains, hymns and hollers.”

The CD has been described as an “alternative gospel” album, but Eaglesmith points out that “it’s not a gospel record. This is actually tearing the whole thing [religion] apart and having a look at every bit of it. I was raised in a religious background and we weren’t allowed to question. This album asks every question.”

The Santa Barbara News Press says that Tinderbox sounds “like a field recording from the alternative world of rural Pentecostalism mixed with the artful theatricality and gruff timbres of Tom Waits.” Metro describes it as “Something on the order of Eaglesmith jamming with Tom Waits on a 1930s chain gang full of bluesmen, it’s spooky and dark, with a hint of the metaphysical.”

Tinderbox has already been heralded as a “masterwork” (Philadelphia Inquirer), “exceptional” (Americana Roots), and “beautiful” (Ink 19). The New Yorker says, “Imagine a duet record from Tom Waits and Woody Guthrie,” declaring, “if you’re missing out on Eaglesmith… you’re really missing out.”

Working outside the pop music radar, Eaglesmith had forged one of the most unique and eminent careers in contemporary music. His previous 16 releases have won him comparisons to such major talents as Woody Guthrie, Bruce Springsteen, John Prine, T Bone Burnett and Steve Earle. His songs have been recorded by fellow artists like superstar Toby Keith — who covered Eaglesmith’s “White Rose” on his recent hit album Big Dog Daddy and included his recording of “Thinking ‘Bout You” in the movie “Broken Bridges” and on its soundtrack album — The Cowboy Junkies, Kasey Chambers, Mary Gauthier, Ralph Stanley II, Dar Williams and Todd Snider, and he is the subject of a tribute album by other fellow songwriters. His has also scored a #1 bluegrass song with James King’s recording of his “Thirty Years of Farming.”

Eaglesmith boasts such a fervent coterie of fans that he hosts a number of annual music festivals such as Roots on the River every summer in Vermont; the Fred Eaglesmith Texas Weekend each spring at Gruene Hall, the mother church of the Texas roots music scene; and last year two Roots on the Rail rolling music fests along both historic narrow-gauge railroads through the American West and another into the Canadian arctic. Martin Scorsese and James Caan have used his music is their film projects, and his songs are even included in the course curriculum of two colleges.

Tinderbox was already in consideration for Canada’s Polaris Prize, which is awarded for musical artistic merit. And odds-makers agree with the Guelph Mercury, which suggested in its rave review of Tinderbox that Eaglesmith “better get his tux dry-cleaned in preparation for all the award shows he’ll be attending.”

Fred Eaglesmith tour dates:
5/1 Victoria Playhouse Petrolia, ON
5/2 Bayfield Town Hall Bayfield, ON
5/8 Red Onion Saloon Skagway AK
5/9 Alaska Barn Dance Haines AK
5/10 Resurrection Luthern Church Juneau AK
5/13 St Elias Convention Center Haines Jct, YT
5/14 Yukon Arts Center Whitehorse, YT
5/15 Palace Grande Dawson City, YT
5/21 Tractor Tavern Seattle , WA
5/22 Green Frog Acoustic Tavern Bellingham WA
5/24 Papa G’s Portland, OR
5/25 Harmony House Concerts Sisters, OR
6/6 McGinty’s Meaford, ON
6/11-14 Roots on the River Festival, Bellows Falls, VT
6/16 Kennebecasis Valley High School Quispamsis, NB
6/17 Marigold Cultural Center
6/18 Parkside Pub Dartmouth, NS
6/19 Membertou Trade & Convention Center Syndey NS
6/20 King’s Theatre Annapolis Royal, NS
6/23 Petit Campus Montreal, QC
6/24 The Black Sheep Inn/La Mouton Noir Wakefield, QC
6/25 Tweedsmuir Hotel Tweed, ON
6/26 The Beef n Bird Sudbury, ON
6/27 Speak Easy Pub Sault Ste Marie, ON
6/28 Finlandia Club Thunder Bay, ON
6/30 Shooters Kenora, ON
7/2–5 Dauphin Country Fest Dauphin, MB
7/9 Moose Jaw Cultural Center Moose Jaw, SK
7/10 The Palomino Calgary, AB
7/11 Pembina River Nights Evansburg, AB
7/12 Auditorium Hotel Nanton, AB
7/14 Grandview Stage Resort Rocky Mountain AB
7/15 The Max Drayton Valley, AB
7/16 BJ’s Cue Club Grand Prairie, AB
7/18 The Players Club Camrose, AB
7/21 The Royal Nelson, BC
7/22 Caravan Farm Theater Armtrong, BC
7/23 The Dream Café Penticton, BC
7/24 Creekside Theatre Winfield, BC
7/26 Island Folk Festival Duncan, BC
7/30 Element Victoria, BC
7/31 Mayne Island Agricultural Hall Mayne Island, BC
8/1 Filberg Festival Comox, BC
8/2 St James Hall Vancouver, BC
8/3 Pynelogs Cultural Center Invermere, BC
8/7 Interplay Festival Fort McMurray, AB
8/8 – 9 Edmonton Folk Festival Edmonton, AB
8/14 – 16 15 Annual Fred Eaglesmith Charity Picnic Aylmer, ON
8/23 Music at Fieldscote Ancaster, ON
8/26 Hugh’s Room Toronto, ON

-30-

Very Interesting Collaboration coming!

text copied from: http://feedproxy.google.com/~r/jambase/~3/ie7enbBdLLk/headsup.asp

The Monsters. Monsters of Folk – comprised of Bright Eyes’ Conor Oberst and Mike Mogis, My Morning Jacket’s Jim James and M. Ward – will be releasing their first collaborative album on September 22. The self-titled effort was recorded in Malibu, CA and Omaha, NE, and produced by Mogis. Although these critically acclaimed artists have shared the stage before, this album marks their first recorded output as a band.

Monsters of Folk began as folklore of sorts, when James, Oberst, Ward and Mogis did their first run of shows together in 2004. Like the musical revue shows that went town to town when rock ‘n’ roll was newly born, the tour was called “An Evening With: Bright Eyes, Jim James and M. Ward,” although amongst friends and crew, it became affectionately known as the “Monsters of Folk Tour.” While entertaining audiences coast to coast with gorgeous acoustic melodies and world-weary tales, the foursome vowed to make their way to a studio at some point after the tour’s completion. Instead, the songsmiths went on to individually release some of rock music’s most exciting albums of the last five years – Bright Eyes’ I’m Wide Awake, It’s Morning and Cassadaga; My Morning Jacket’s Z and Evil Urges; M. Ward’s Post War and Hold Time. Never ones to forget their promises, when downtime presented itself, they convened in the studio multiple times over two years, with Mogis at the helm of their first recorded effort.

All four members play every instrument on the album, supplying everything from drum fills to cascading backing vocals. The songs – some road-worn fables, some intimate and intricate with electronic elements, some woozy and sun-soaked – are everything one might expect from these four musical minds collaborating together.

Track Listing:

1. Dear God (sincerely M.O.F.)
2. Say Please
3. Whole Lotta Losin’
4. Temazcal
5. The Right Place
6. Baby Boomer
7. Man Named Truth
8. Goodway
9. Ahead of the Curve
10. Slow Down Jo
11. Losin Yo Head
12. Magic Marker
13. Map Of The World
14. The Sandman, the Brakeman and Me
15. His Master’s Voice

CFMA deadline?

CFMA Committee Announces
The Fifth Anniversary Edition of the Canadian Folk Music Awards
and Call for Submissions
Please visit the CFMA media web site at www.folkawards.ca/media


The Canadian Folk Music Awards celebrates its fifth anniversary this year by returning home to the National Capital Region.

The 2009 CFMA ceremony will take place Saturday, November 21st, 2009 in the theatre at the Canadian Museum of Civilization in Gatineau, QC. By popular demand, Shelagh Rogers of CBC Radio’s The Next Chapter and Benoit Bourque of the legendary Quebecois group La Bottine Souriante will return to host the bilingual ceremony. Performers will be announced later this summer. Awards will be handed out in 19 categories, ranging from Traditional Album and Contemporary Album of the Year to Pushing the Boundaries and Young Performer of the Year.

The Canadian Folk Music Awards were founded in 2005, in response to rumours that the Junos intended to cut one of their Roots and Traditional categories. The gala has quickly become Canadian folk music’s biggest night of the year. The awards recognize Canada’s outstanding writers, producers and performers of folk music, and the artists who are expanding the genre in innovative and exciting ways. While the Junos pay homage to Canada’s pop music success stories, the CFMAs celebrate the magnificent diversity of Canada’s musical heritage – from the musical traditions of Aboriginal Canada to Celtic, Acadian and traditional Quebecois styles, singer-songwriter music, blues, bluegrass and old-tyme country and the myriad of global traditions brought to Canada by each new wave of immigration. What’s more, the CFMAs provide an opportunity to draw Canadians’ attention to the depth and breadth of folk music in Canada.

Past Canadian Folk Music Award winners include established artists like Luke Doucet, Corb Lund, Alpha Yaya Diallo, Harry Manx, Oh Susanna, David Francey and Les Charbonniers de l’Enfer, and up-and-comers like T. Nile, Kyrie Kristmanson, Brigitte Saint-Aubin and Sarah Noni Metzner.

Call for Submissions

Submissions are now being accepted for the 2009 Canadian Folk Music Awards. Canadian folk, roots and world artists who released recordings between June 15, 2008 and June 14, 2009 are eligible to submit.

The deadline for receipt of submissions at the CFMA office is Friday, July 3, 2009. Forms and eligibility guidelines can be found on the CFMA web site at http://www.folkawards.ca.

Nominees will be announced October 7, 2009 at a media conference in the capital.

The full list of categories is as follows:

· Traditional Album of the Year
· Contemporary Album of the Year
· Children’s Album of the Year
· Traditional Singer of the Year
· Contemporary Singer of the Year
· Instrumental Solo Artist of the Year
· Instrumental Group of the Year
· Vocal Group of the Year
· Ensemble of the Year
· Solo Artist of the Year
· English Songwriter of the Year
· French Songwriter of the Year
· Aboriginal Songwriter of the Year
· World Solo Artist of the Year
· World Group of the Year
· New/Emerging Artist of the Year
· Producer of the Year
· Pushing the Boundaries
· Young Performer of the Year